Inspiring Smiles Forever
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Sundet House, 20" x16", Oil on canvas, July 21, 1985
This was the first year Tom worked at the Barker Hunt Gallery as artist in residence. He would paint in the field everyday a new canvas taking famous paintings and replace the elements in the composition with local elements. Dick Scaife was a close friend of Jimmy Hunt Barker and besides this painting, he commissioned an updated version of Homer's Breezing Up with his girlfriend and her son in the painting.
Auctioned 08 Jun 2019
Sale Price$ 100
LocationUSA, Pittsburgh
Catalogue6/8/19 Fine Art, Antiques and Design Auction
https://www.lot-art.com/auctions/6819-Fine-Art-Antiques-and-Design-Auction/132286?page=3
Auction HouseConcept Art Gallery
Lohre, Tom (American), oil on canvas painting titled 'House Sunset,' signed
lower right, also signed, dated (July 21, 1985) and titled on verso, 15.5"
x 19.5" in a wooden frame measuring 21" x 25". Provenance: The
estate of Richard Mellon Scaife, Pittsburgh, Pennsylvania. Proceeds from the
sale of this lot will benefit the conservation of the Scaife collections at
a Pennsylvania art institution.
Condition Report: Good condition, not examined out of frame
Breezing Up Scaife Style, 20" x 16", Oil on canvas, 1985
Nantucket's Pacific House
Tom painted on the Island of Nantucket
from 1985 to 1989. In the first two years he worked for James Hunt Barker. In
the later years he could be seen painted five different scenes on Main Street
all summer long. He was painting a canvas a day trying to learn his craft. He
has painted more than 800 Nantucket paintings. Heretofore he was classically
trained in portraiture from R_.
It took two seasons
for Tom to master a en plein air manner. The greatest canvases were done in
the year 1987.
Tom married Irene Moore in 1994 and only returned for several years sailing in from East Hampton. When his daughter was born the sails stopped. He hopes to return.
Painting done in New England
Surf Fishing in Nantucket, 20" x 16", oil on canvas, 1995
Painted on location at the
schallop shack in Nantucket Harbor. Tom used the men that gathered during the
day to pose. The boat came from a yard nearby. The idea came from an image Tom
found showing the old tradional fishing method of launching a surfboat from
the beach then paying out net in front of a school of Sea Bass. Next the boat
was rowed ashore and the net gathered and hauled up on the beach. The shack
was a regular meeting ground for the local men. This painting was done in the
fall but in the winter is when it gets hairy. The warden watches the bay and
monitors the men out on the cold frozen water. If there is any trouble, he can
get help out there quickly.
Oak Bluffs, Martha's Vineyard
July 10 1994, Oil on canvas, 20" x 16"
Painted on location during a sailing vacation.
Oak Bluffs is one of the few places where you can see both black & white
people vacationing together. Tom set up his easel in view of the congregation
tent. In the old days, people would come to worship. Today, people still come
for the religious services. The homes surrounding the main commons are a combination
of tent and home. In the painting, Tom painted Whoppie Goldberg and Melanie
Griffith out of a picture in a magazine.
Zero Main Street, Nantucket
July 2 1994, Oil on canvas, 20" x 16"
One of two paintings Tom did while on vacation
in Nantucket. In the past he had painted this same scene over and over again
but he had sold all of them. This one he did for himself. It is one of the four
different views he painted of the famous fountain. The view is of a large building
that used to be a counting house for the ships that came into port but today
houses shops below and offices above. During the summer, they hang a large model
of a whaling ship above the door.
Pacific Club, Nantucket
July 1 1994, Oil on canvas, 20" x 16"
Painted during a vacation trip to Nantucket.
In previous years, Tom would paint on the street everyday. Now, while on a sailing
trip he has to return to his learning roots. He would paint five different scenes
of the famous fountain. This view was one of them. The other five were Zero
Main Street, Pacific National Bank & The Looms. Today there are no large
trees for they got too old and died.
Zero Main St. Nantucket, 20" x 16", Oil on canvas, August 1993
Pacific Club. Nantucket, 20" x 16", Oil on canvas, August 1993
On a return visit to Nantucket Tom painted this. He spent four summers there painting on the street everyday. This was one of the scenes he painted often. The view is looking up Main street past the fountain in the middle of the road and the Pacific Bank at the top.
Nantucket, Main Street II, 24" x 20”, Oil on canvas, August 1987
This larger version of the one above is the crowning achievement in Tom's Nantucket paintings. He liked the 20" x 16" enough to make a larger version of it.
Tom painted on the
Island of Nantucket from 1985 to 1989. In the first two years he worked for
James Hunt Barker. In the later years he could be seen painted five different
scenes on Main Street all summer long. He was painting a canvas a day trying
to learn his craft. He has painted more than 800 Nantucket paintings. Heretofore
he was classically trained in portraiture from R_.
It took two seasons for Tom to master a en plein air manner. The greatest canvases were done in the
Painted from life in the beginning of the season at the home of Kathleen Knight. This painting shows impressionistic impasto technique that Tom used until 1989.
Union Street, Nantucket, 10" x 8", Oil on gessoed t-shirt, 1989
Tom was the artist in residence at the James Hunt Barker Gallery. Normal dress code for openings was coat and tie. Miami Vice was the big hit on TV so Tom painted a local scene on a t-shirt and wore it to one of the openings. You never saw a artist make a faster change of clothes once Mr. Barker saw Tom in the stylish garb.
Nantucket Cliff Girl
July 1 1986 Oil on canvas 20" x 16"
Painted in the studio during Tom's second season
on the island. Tom would search through art books looking for a scene that he
could replace the elements with Nantucket scenes. Then after assembling the
drawing in the studio, he would go into the field. This view is high upon the
Northern cliffs of the island. You look down upon the beach club where you can
rent wind surfers and sunfish. The Jetties extend northward to make a break
for the channel to the main harbor.
Two of three designs, silk screened on glass for the dedication of the Statue
of Liberty, 8" x 10"
Tom Lohre, artist in residence for Barker Galleries in New York City, Palm Beach and Nantucket, took single frames of openings at the Nantucket gallery and time lapse of paintings as he completed them. Notable figures in the slides include James Hunt Barker, Kenneth Douglas, Clarence Gifford, Marilyn Whitney, Paul Cadmus, Paul Longnecker, Jack Brown and Dick Mellon Scaife.
Man in Rowboat, 16" x 12", Oil on canvas, 1985, Painted from life using a rowboat that was in a front yard of a Nantucket home. Tom hired a man walking down the street to pose. While he painted a time lapse super 8 movie was made. During his second Nantucket season Tom Lohre would take time lapse Super 8. He was taking famous paintings and repainting them using the objects of the island. In this case it was a homage to Homer. An old row boat in a yard became a rowboat at sea. He solicited a young man walking down the road to pose for him. Whereabouts of painting is unknown but someone found the image of the painting taken from a old photograph of the painting and posted on Tom's web site tomlohre.com used it as his cell phone home screen with the captions, " I am never giving up. I am never giving in." His girlfriend contacted Tom through Facebook and purchased a signed print of the image for his Christmas present.
Video of Time Lapse
View Tom
Lohre' locations of paintings painted from life in a larger map. More
additions to come:()
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